The Darjeeling Limited

Whether on the Darjeeling Limited train itself (where use of the palette is perhaps most overt), in an exterior location (rural India, New York), or on the train but hearkening to another location (Jack Whitman wears a robe and has stationery from the Parisian Hotel Chevalier that fit the train's colors precisely), the palette is extremely consistent—in one town scene, for example, where the frame is filled with the neutrals of clothing and buildings, the blues, gold and reds are snuck into background elements or painted subtly onto a few architectural bricks. The train itself is something of a design wonder—everything on board was custom created, down to the hand-painted Rajasthani elephants on the corridor walls. And, at the end of the film, when the brothers board another train, it is clear that a new version of the palette is at play.

I loved absorbing the colors and details of the film (and I'm not the only one—Men's Flair has waxed rhapsodic about the symbolism in the colors of the brothers' grey flannel suits), and highly recommend it as candy for the design eye. The Darjeeling Limited is currently available on DVD.
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